Fifty Shades Of Grey (2015)

Starring: Dakota Johnson, Jamie Dornan, Jennifer Ehle

Directed by: Sam Taylor Johnson 
Written by: E.L James (novel) Kelly Marcel (screenplay) 
Genre: Drama, Romance 
Rating: 18

Having not jumped on the Fifty Shades Of Grey hype when the Twilight fanfiction turned multi-million dollar book franchise (E. L James) first emerged, people often query where my hatred of the series comes from. After learning what this phenomenon was about, I questioned how a story that was basically just about sex could take the world (albeit, mainly middle-aged women) by storm. “It’s porn for people in denial!” I’d tell my Mom, after swearing I’d disown her if she read the books. However, as I became more educated in feminist culture, my disgust with the franchise developed into a strong disagreement based mainly on the unhealthy concept of one man’s obsessive and creepy control over his female lover.

Since 2012, women all over the world have been swooning and drooling over Christian Grey (Jamie Dornan), the sexy billionaire who seduces the timid Anastasia Steele (Dakota Johnson), then introduces her to “his world” of bondage and S&M sex, asking her to sign a legal contract accepting to become his “submissive”. The film follows the pair as they try negotiate the terms of their relationship – if you can call sexual slavery a relationship – and that is pretty much all it is about.

This story was not intended to be as violating as it comes across. I understand that Fifty Shades Of Grey is a guilty pleasure for women and men who wish to indulge in something that is - apparently - the perfect balance of romance and pornography… but there is something very off-putting and offensive to watch - for me and surely others – about the way Mr Grey exercises his power over Anastasia. Whether this be in the bedroom or not, what I saw was a controlling boyfriend who wants full possession over his girlfriend, demanding she follow all of his rules and admit she is “his”. To me, this is not sexy or passionate, nor adorable or loving in any sense. It’s weird, unhealthy and undesirable, so this apparently “romantic” film became extremely uncomfortable to watch at times.

I tried to see past my disagreement with the storyline in general and focus on what was at hand. By no means do I want to watch a movie all about sex (I could just watch porn?) but this is a film about sex, so I expected to see sex and I expected to enjoy it. However, I was disappointed. You wouldn’t want to watch this film with your parents that’s for sure, but given the hype and the 18 rating, I wanted a bit more for my money. It was so boring. Johnson and Dornan depict a shallow chemistry and scenes (sex scenes included) simply drag. The best part was watching Johnson portray a hilariously drunk Ana as a character with spark and humour, however this was the first and last showing of that. Sadly, she fell back into the vapid female she was written as.

As far as sex films go (this was my first) I can’t say I am impressed. Similarly, as far as romance films go, if this is romance then there’s something seriously up. I tried to like this movie, but with its questionable storyline told in the dullest of ways, Fifty Shades Of Grey is arguably one of the most disappointing films to come out of cinema.

The Theory Of Everything (2015)

Directed by: James Marsh
Starring: Eddie Redmayne, Felicity Jones, Tom Prior
Written by: Anthony McCarten (screenplay), Jane Wilde Hawking (book)
Genre: Drama, biography, romance
Rated: 12A

What James Marsh delivers us with The Theory Of Everything, is a charmingly profound and earnest biopic of arguably, the most intelligent man on the planet – the brilliant physicist and bestselling author Stephen Hawking. Eddie Redmayne is at the forefront of this story with Felicity Jones at his side as Hawking’s first wife, Jane Wilde. Together, the two bring an incredibly endearing and heart-breaking tale to life, with flawless performances and an unbeatable chemistry, following Hawking’s struggle with the development of motor-neuron disease and Jane’s struggle with watching the man she loves turn into a less able version of himself, with a robotic voice and a life in a wheelchair.

Interestingly, The Theory Of Everything tells Hawking’s story from the perspective of Jane, with an honest script from Anthony McCarten based on Jane’s book Travelling To Infinity: My Life With Stephen. Although Redmayne is unbelievably believable as Hawking (if he doesn’t get an Oscar nomination I quit), it is Jones’ performance as Jane that really gives us an insight into the difficult yet brilliant relationship Hawking and Wilde had together. The real trauma we see here is not how Hawking coped with his disease, but it is how Jane coped with Hawking’s disease, over 30 years of marriage and the deliverance of three children along the way.

Redmayne presents Stephen with candour and a quiet eccentricity, introducing us to the man behind the science – a person of humour, honesty and most noticeably, strength. His performance is undeniably faultless, not once do you feel like Redmayne hadn’t pushed himself to both his mental and physical limits. Similarly, Jones tackles Jane’s resilient yet soft nature with grit and sincerity, delivering truly poignant scenes either with Redmayne or on her own. Although she is already a well-esteemed actress, her portrayal here is sure to make her a household name.

In ways, it is nice to get to know a side of Stephen that isn’t all about his scientific achievements, however these achievements are what made Stephen the legend he is today. If Marsh had drawn more emphasis on just how excellent his famous discoveries were, he would have made The Theory Of Everything exceedingly perfect, rather than just perfect. For those who are not all that ‘clued up’ on Hawking and his theories, this film falls short in teaching us, which is a shame - albeit a small one.

This movie tells the remarkable story of Stephen Hawking and Jane Wilde with dignity and heart, creating an outstanding biopic that shall live as a classic in years to come. An ordinary telling of two extraordinary lives, The Theory Of Everything is an almost impeccable, moving drama that is alleviated by strong performances, simplistic direction and inspirational messages that are bound to stick with audiences forever – “while there is life, there is hope”.

Unbroken (2014)

Directed by: Angelina Jolie
Starring: Jack O’Connell, Takamasa Ishihara, Domhnall Gleeson
Written by: Ethan and Joel Coen (screenplay), Laura Hillenbrand (book)
Genre: Drama, biography, sport

Angelina Jolie’s second film working behind the camera tells the traumatic and truthful tale of Louie Zamperini (Jack O’Connell), an Olympic US athlete turned World War 2 hero after a bomber jet crashes into the Pacific ocean leaving officer Louie and two more survivors (Domhnall Gleeson, Finn Wittrock) stranded at sea for 47 days, until they become rescued, captured and tortured by the Japanese as slaves at a POW camp.

Despite the heavy 137 minute length, at no point during Unbroken does your attention drift. From the word go, this wartime feature is incredibly captivating, and this is due to a range of successful decisions made by Jolie herself. The casting in this movie could not be more brilliant, with rising star O’Connell demonstrating absolutely unbelievable talent that will not go unrecognised. It’s hard to imagine another actor in this role as he takes you on an emotional journey that so effectively captures the raw nature of human spirit. Additionally, acting from Takamasa Ishihara as Watanabe “the bird”, a Japanese sergeant with a particular hatred for Louie, is terrifying and realistically chilling. Smaller roles from Garrett Hedlund and Domhnall Gleeson are also unforgettable. Think what you want about Unbroken, but one thing that cannot be knocked is the extremely skilled cast whom carry this movie until the very end.

However, Unbroken soars in other areas too. The Oscar-winning Coen brothers deliver a gritty script with the capacity to help the audience really feel the pain that Louie felt, and beautiful cinematography from Roger Deakins makes the movie easy on the eye.

Of course, any wartime movie is going to be ridden with clichés and overdramatized scenes. Although Jolie definitely emphasises this with her slightly try-hard directing, these faults are not unbearable in any sense and can definitely be overlooked, if not unnoticed. Perhaps once again it is O’Connell’s entrancing performance that distracts the audience from anything other than the strength of Louie’s character, and the real traumas of World War 2.

Unbroken is a beautiful homage to the late Louie Zamperini and is a film that I would encourage people of all ages to see. With its poignant message and educational story which I am sure many people are unaware of (me included), it is a movie bound to teach, inspire and encourage, something I think is very important for cinema.

Say When (2014)

Starring: Keira Knightley, Sam Rockwell, Chloe Grace Moretz
Directed by: Lynn Shelton
Written by: Andrea Seigel
Genre: Comedy, drama, romance
Rating: 15

Although consistently brilliant and always captivating, Keira Knightley has been stuck in a rut of tight corsets and pursed lips for years now. Don’t get me wrong, she excels, but here, in a different light as 28 year-old ‘floater’ Megan, Knightley embodies a much more relaxed and relatable role, proving that she is a hell of a lot more than the elegant and regal character we have grown to associate her with.

After settling for a high school boyfriend and avoiding important job decisions whilst her best friends move on with life and grow up, Megan faces a ‘quarter-life crisis’, and so moves in with troubled but cute teenager Annika (Moretz) and her hot lawyer Dad (Rockwell), just for a week to get her head together. The plot is a little questionable if not implausible, but for the most part, this film is earnest and pretty fun, mixing quirky wit with sentiment to create the right balance of comedy drama.

Knightley is gawky and clumsy here, however it is a refreshing change as she reverts back to her Bend It Like Beckham days, tackling the role of the cool, chilled tomboy extremely well. The chemistry between her and rising star Moretz is unbeatable and very sweet to watch, but it is the down-to-earth scenes with Rockwell that really shine. He is wonderfully endearing, delivering both elements of loveable Dad humour and sexy love interest in a way that allows the audience to see him honestly in both lights.

Perhaps Shelton’s kooky flick is a little dull in parts, and taking a nap half way through wouldn’t exactly mess up your understanding of this predictable tale, but it is harmless fun and will no doubt make you smile. With very watchable performances from an outstanding cast, and a unique script that induces many giggles, Say When is one of those movies guaranteed to make you feel all lovely and nice - perfect for a lazy afternoon with a mug of tea.

The Equalizer (2014)

Starring: Denzel Washington, Marton Csokas, Chloe Moretz
Director: Antoine Fuqua
Written by: Richard Wenk
Genre: Action, thriller, violence, drama
Rated: 15

If there is one thing that all avid movie watchers believe, it is that films are not just here to entertain us, but they are here to teach us something, here to help us feel. Antoine Fuqua’s The Equalizer – although mostly entertaining – somehow fails miserably in doing this. Despite the non-stop action, odd funny quips and expectedly kickass acting from Denzel, The Equalizer is empty and senseless, leaving the audience asking endless questions – and not the good kind.

Denzel is Robert, a typically lonely widower working in a hardware store, spending his dull evenings reading books in the local café (clearly a feeble attempt to add an inch of depth to this shallow tale). It is here he meets Teri (Chloe Moretz), a young girl working as an escort for a group of highly dangerous Russian men. After she suffers a beating, Robert decides to revert back to his past (which is never explained) and do something about it with swift, savvy planning and lots and lots of blood.

Washington doesn’t showcase his best skills here, however you can’t help but love the guy – his minor faults can be overlooked, as the main flaws here lie with a cliché script and empty characters that you feel like you never really get to know or love. Performances from Moretz and Melissa Leo are unsurprisingly endearing and captivating, which makes their lack of screen time extremely underserved and a real shame. Fuqua’s fancy camera work and daring angles are like that of a child with a brand new toy, which makes it all a bit too fast-paced - especially for a film which already takes much too long to get going and much too long to end.

For a quick action fix, The Equalizer ticks all of the boxes. The audience may find themselves on the edge of their seat, unable to look at the screen, and yes – it is highly exhilarating and undoubtedly enjoyable - but that is it. Within an hour, you’ve forgotten what the film was even about. There is no way this movie is going to stay with us for very long, but for an unnecessarily long two and a half hours, The Equalizer is perhaps not the worst movie you could choose to see.

Hector And The Search For Happiness (2014)

Directed by: Peter Chelsom
Starring: Simon Pegg, Rosamund Pike, Toni Collette
Written by: François Lelord (novel), Maria Von Heland, Peter Chelsom
Genre: Comedy, drama, adventure
Rating: 15

As brilliantly funny Simon Pegg is, his performances in comedies like Shaun Of The Dead and Hot Fuzz are silly and hard to take seriously. So with each release of one of his films, it is hard to remain unbiased and put any thoughts of dubiousness to the back of one’s mind. Hector And The Search For Happiness (based on François Lelord’s critically acclaimed novel) therefore came as a pleasant surprise. This film is a typical Pegg hit - silly in parts, and undoubtedly funny, but the difference between this and his other comedies, is that it is meaningful and has the audience leaving the cinema feeling enlightened, with a desire to seize the day and live your life to the brim.

Pegg is Hector, a very ordinary, very comfortable and very bored London-based psychiatrist, who spends his days doodling whilst pretending to listen to his dreary patients, and spends his nights living a tidy, normal life with gorgeous girlfriend Clara (Rosamund Pike). After endless days of the same old routine, Hector comes to realise that he is a “fraud”, how can he tell his patients to be happy when he doesn’t even know what happiness is himself? So he goes on an exotic journey to countries China, Africa and America, in a quest to discover what happiness is - and most importantly, how to be it.

Pegg was the perfect choice for Hector – it is hard to imagine anybody else playing this part as well as he did, being the well-balanced mix of hilarious, earnest and astonishingly likeable, which drives the movie to the very end. However, it is his encounters with each unique character on the journey which help Hector - and we as the audience - feel like a happy epiphany has been reached.

I’d be lying if I said this movie was perfect. The only criticism the film faces is its manic direction and heavy editing – although done artistically, it is a little unnecessary for a movie with a message as simple and profound as this. After all, isn’t the meaning behind a story the whole reason we started watching films in the first place? To feel something? Well, Hector And The Search For Happiness certainly does make you feel something - whether that be your own desire to find happiness, or perhaps the well-needed realisation that you already have enough reasons to be happy for.

Transformers: Age Of Extinction (2014)

Starring: Mark Wahlberg, Stanley Tucci, Nicola Peltz

Directed by: Michael Bay
Written by: Ehren Kruger
Genre: Action, Sci-Fi, Adventure
Rated: PG

If there’s one thing you can expect from a Michael Bay film, it is mayhem – or as often put “Bayhem”. Knock him all you want, but it is undeniable that some of Bay’s worst films have given us some of the best, most heart-racing action sequences seen on screen (i.e. Bad Boys II). So, with the release of the 4^th instalment of the Transformers series, audiences are expecting to take perhaps at least a little excitement and adrenaline from Age Of Extinction – albeit, if nothing else.

However, prepare for utmost disappointment. It seems that Bay is not even good at what he’s good at anymore, because this film is incredibly boring, terribly sluggish, frustratingly samey and just downright awful.

Wahlberg is Cade, an inventor who stumbles across a hidden Transformer after the battle of Autobots and Deceptions levelled Chicago, causing the Transformers to be seen as a ‘threat’ to all humankind. Cade, his daughter Tessa (Peltz) and her boyfriend Shane (Reynor) join alliances with this robot, who turns out to be Optimus – leader of the Transformers – and promise to help defeat the mysterious bounty hunter who seeks to rid of Optimus and his robotic army, much to the despair of the government and their operations.

Stanley Tucci may be the only element of success in this tedious 166 minute nightmare, as Joshua Joyce, leader of the KSI – a company in the midst of creating man-made Transformers to be used for military use. Tucci’s acting is watchable beyond belief, the scenes with him are the best (…of a bad bunch) however the only disappointment here is that a man of such talent would choose a film with this level of disastrousness.

There is nothing in this movie that could offer the smallest level of entertainment to anybody. Even the excessive fighting and banging around couldn’t make the most excitable 11 year old boy bat an eyelid, and there most certainly isn’t any worthy drama or sentiment that could tug at your heart strings. The only thing Age Of Extinction succeeds in doing is forcing you to put your head in your hands and cringe.

Whether it be the dire acting, embarrassing attempts at comedy or unrealistic CGI action sequences, it is hard to tell exactly what makes this film nosedive so much. It could also be the issue that the only female role is an objectified damsel-in-distress figure. Maybe it’s the dreadful plot and script offered by Kruger, or perhaps it’s the amateur direction and odd camera angles once again provided by Bay. In truth, the one singular thing wrong with Transfomers: Age Of Extinction is everything.